The lead pair looks good on screen. But each time they look lovingly into each other's eyes, the viewer's eye wanders over to the gorgeous landscape, observes Deepa Gahlot.
We are back to being a country that talks about box office numbers as the measure for what an audience's real feelings about a movie are, laments Sreehari Nair.
A tete-a-tete with Neil Nitin Mukesh and Deepika Padukone on their latest movie.
Jugnuma has the unhurried pace of a stroll at dusk through the hills and the quiet delight in coming across jugnus (fireflies) twinkling in the trees, observes Deepa Gahlot.
'For the longest time, he was not an activist.' 'He was just trying to build his own self-identity, self-respect and ambition.'
While Nishaanchi is not a homerun for Kashyap, there's enough joy in this audience pleaser, notes Mayur Sanap.
Now, if you're considering getting inked, Namrata Thakker gives you some celeb inspiration.
On August 5, 1953, Jawaharlal Nehru sent a strange note to the foreign secretary. It is worth mentioning because it was symptomatic of the lack of knowledge about Western Tibet in India and in South Block in particular, notes Claude Arpi.
The 97th Academy Awards are days away and there are some strong contenders for the top awards.
'I'm totally focussed on finding the right energies around me. A lot of the treatment is psychosomatic, as my mother keeps reiterating, if you think positive, positive things will happen to you.'
'Homebound stands for something very beautiful at a time where the world is starting to feel like there is a lot of othering going on and it's starting to feel divided.' 'We are starting to become less human, more disconnected.'
Namrata Thakker picks her 10 favourite Leo movies.
'In Mumbai, isolation is a very different isolation.' 'It's not about actual physical loneliness.' 'It's the loneliness in the company of others, and I felt that that is a very Mumbai thing.' 'You can be travelling in the ladies compartment squashed against everybody's armpits and still be really, really sad and alone.'
'Editor M S Shinde deserves full credit because, I'm told, Ramesh Sippy had shot 300,000 feet of footage, which was brought down to 18,000. 'He died in 2012, in a 126 square foot flat in Dharavi, penniless, a forgotten hero.'
'It's there in everyone's heart. That's the beauty of masterpieces.'
'I love the feeling of falling in love and the memories it brings, even if it doesn't last.'
'Thank you to the Cannes Film Festival for having our film here. Please don't wait 30 years to have another Indian film.'
Even after 50 years, Sholay remains a lasting reminder of unity, shared memories and the joy of cinema, notes Mohammad Asim Siddiqui.
'...in comparison to his presence in the previous election campaign where he looked robust and vibrant.' 'His television and social media interviews looked dull and predictable.' 'There could be a different kind of fatigue of being out of power for a long time at work here.'
We honour Panjabi by looking back at some of her shining moments.
Sunny Sanskari Ki Tulsi Kumari is one of those mindless fluff kind of date movies, where there is no real conflict, lots of singing and dancing in fancy outfits (as brief as possible for the ladies), observes Deepa Gahlot.
'They were born stars the day they were selected for this film.'
'If you watch songs like Acha Ji Main Haari Chalo Maan Jao Na, Lag Ja Gale or Jhumka Gira Re, you'll notice they're not just a distraction. There's a story unfolding within them.'
The narrative is faithful to the source, American Prometheus, but what makes it absolutely spell-binding is Christopher Nolan's technique, notes Shreekant Sambrani.
'Our hearts ache seeing the devastation the floods have caused in Punjab.' 'Seeing our people without a roof over their heads has left me devastated.'
After a long time, here's a film that does justice to the people whose stories are never heard or written about, notes Divya Nair.
'Whenever people say to me that all my work looks unique, I say to them originality is the art of concealing your source.' 'You can't see the sources that I take from because usually, they are Indian.' 'But then Indians don't find my work Indian.'
'Even if I had the backing of a big corporate house, which I don't, in today's market, I wouldn't want the responsibility of making a Rs 300 crore-Rs 400 crore film.'
'I love the institution of marriage. I love the idea of creating a family life, a unit that is yours, of having someone who's on your team, of being devoted to them.'
'They are clueless about the man on the currency notes.' 'They have been fed with WhatsApp forwards, so either Gandhi is vilified or deified. There's nothing in between.'
Ashwin to bring YouTube crew, security as he set to make Big Bash League debut.
Gauri wasn't very happy about living the Bombay life. With no friends in the city, she wanted her husband's films to flop so they could go back home, to Delhi.
Sukanya Verma looks at Bollywood's best-known diamond robberies in film.
The 50th edition of the Toronto International Film Festival is extra special for India.
'I was a nobody when I came here, and now I've become something.'
F1: The Movie is doing well, having crossed Rs 50 crore.
Aseem Chhabra lists his favourite Indian films of 2021.
It is a pleasure to watch talented actresses break out of their comfort zones.
'Panchamda created an exclusive theme music for Gabbar Singh, which is used throughout the film every time the dacoit makes an appearance, and in both concept and sound, is so eerie and evil.'
